Minggu, 12 Februari 2012

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The Source James A. Michener, by James A. Michener

  • Published on: 1966-01-01
  • Binding: Hardcover

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Selasa, 07 Februari 2012

[Q476.Ebook] Download Ebook The Architecture of Community, by Leon Krier

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The Architecture of Community, by Leon Krier

Leon Krier is one of the best-known—and most provocative—architects and urban theoreticians in the world. Until now, however, his ideas have circulated mostly among a professional audience of architects, city planners, and academics. In The Architecture of Community, Krier has reconsidered and expanded writing from his 1998 book Architecture: Choice or Fate. Here he refines and updates his thinking on the making of sustainable, humane, and attractive villages, towns, and cities. The book includes drawings, diagrams, and photographs of his built works, which have not been widely seen until now.
 
With three new chapters, The Architecture of Community provides a contemporary road map for designing or completing today’s fragmented communities. Illustrated throughout with Krier’s original drawings, The Architecture of Community explains his theories on classical and vernacular urbanism and architecture, while providing practical design guidelines for creating livable towns. 
 
The book contains descriptions and images of the author’s built and unbuilt projects, including the Krier House and Tower in Seaside, Florida, as well as the town of Poundbury in England. Commissioned by the Prince of Wales in 1988, Krier’s design for Poundbury in Dorset has become a reference model for ecological planning and building that can meet contemporary needs.

  • Sales Rank: #313820 in Books
  • Brand: Brand: Island Press
  • Published on: 2009-05-08
  • Released on: 2009-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.20" w x 6.25" l, 3.10 pounds
  • Binding: Hardcover
  • 496 pages
Features
  • Used Book in Good Condition

Review
"This book is Mr. Krier's gift to the coming generations-who, otherwise, have been left saddled by us with little more than extravagant debts in every way you could imagine. They are going to have to inhabit what remains of this planet, along with whatever remains of its resources, when we are gone, and Mr. Krier's heroic, often lonely labors, have produced this indispensable beacon of principle and methodology to light their way home." (James Howard Kunstler from the book's afterword)

"This is the compendium of common sense that has flowed from Leon's pen for over forty years. From first to last, none of it has aged; and none of it will age. It is the one indispensable book on urbanism." (Andres Duany co-founder of the Congress for the New Urbanism)

"Long the inspiration of new urbanists, Léon Krier's work, now comprehensively gathered in this book, is still the best guide for designing buildings and communities." (Elizabeth Plater-Zyberk co-founder of the Congress for the New Urbanism)

"Leon Krier's The Architecture of Community is a primer on the fundamentals of the language of architecture and urbanism...Krier's childlike drawings, distilled captions and hornbook like aphorisms make this the perfect textbook with which to begin reclaiming our lost literacy." (Traditional Building)

"One of the most influential architects and urban theoreticians of the modern age, Krier has a clear idea of what's wrong with many of our urban development patterns—and he has a similarly clear idea about how those problems can be avoided in the future. His book is a collection of suggestions and proposals that make up a general theory for how to create traditional cities, towns and communities that are attractive, livable, and (hopefully) truly loved." (Planetizen)

"This book provides detailed drawings and images to illustrate the author's theories on classical urbanism and architecture, while providing practical guidelines for creating attractive, livable towns. The book also outlines a diagnosis and a cure, a critique and a project, and presents a common-sense approach to urban planning." (Abstracts of Public Administration)

"More than ever Krier has every right to claim our attention. We need him, in fact, as never before. He presents us with the lessons, if we would but take them, that come out of rediscovery. He celebrates the values that are knowable." (Robert A. M. Stern from the book's foreword)

About the Author
Born in 1946, Leon Krier is one of the most influential architects teaching and writing today. He has taught architecture and urbanism at the Royal College of Arts in London, and in the United States at Princeton University, Yale University, the University of Notre Dame, and the University of Virginia. He has worked extensively in Europe and North America and is currently consulting on projects in Guatemala, Romania, England, Belgium, Italy, France, and the United States. In 2003, he received the inaugural Richard Driehaus Prize for Classical Architecture.

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25 of 26 people found the following review helpful.
Book Review by Philip Langdon: The Architecture of Community
By New Urban News Publications
If you've never read Léon Krier, you've missed a tremendous pleasure. Krier, the Luxembourg-born architect who has sometimes been called the intellectual godfather of New Urbanism, may be the world's funniest living architectural theorist. He can be delightfully droll while making deadly serious points. For years his clever cartoons, especially, have alerted audiences to the ludicrousness of many contemporary architectural fashions.

Several years ago, Washington, DC, architect Dhiru Thadani realized that Krier's writings needed to be brought together, expanded or updated in some instances, and published as a single book. The joyful result is The Architecture of Community, a profusely illustrated volume that lays out Krier's thoughts on how buildings and communities should be designed and constructed.

I'm sure many critics regard Krier as an anachronism. He argues that there's no need for buildings to be more than a few stories high. He sees no point in pursuing the zeitgeist. The proper role of architecture, in Krier's view, is to uphold and strengthen the character of particular places, not chase after that modernist will o' the wisp, the "spirit of the age."

Born in 1946, Krier came by his love of tradition naturally. "I grew up in an environment that, despite two recent world wars, was unblemished by modernist architecture and planning," Krier remembers. "Until the mid-1960s, Luxembourg was a miracle of traditional architecture, a small capital city of 70,000 souls, embedded in manicured agricultural and horticultural landscapes and lofty beach [beech] forests. ... My father's tailoring workshop occupied the ground floor of the townhouse, and for my primary education I hopped across the street when hearing the school bells chime from our garden."

"My mother's piano playing filled the house, and during holidays my parents took us four children to Switzerland, France, and Italy to visit places of beauty." But he came upon modernist visions in books by Le Corbusier, Giedion, and Gropius. "The formidable promise expressed there had swollen my sails," he says. Thus, in the summer of 1963, he took his parents to see Le Corbusier's Cité Radieuse in Marseille. When, after enjoying beautifully intact old towns and landscapes nearby, the family encountered the "tawdry reality" of Corbu's creation, "we were all speechless with shock," Krier recalls. "Though I didn't realize it immediately, my life's orientation became defined by that visit."

In these pages Krier presents a philosophy of civilized and soul-nurturing settings -- through short, vivid sections of text, pithy cartoons, and lovely drawings. Occasional misspellings and foreign words and sometimes less than fully explained photos of his buildings only accentuate the sense that here is a product of genius.

From his close study of European settlements, Krier has concluded that communities can appropriately be organized through either of two geometric systems -- organic, irregular pattern-making, which Krier calls "vernacular networking," or artificially imposed straight lines, which Krier calls "classical networking." He sees organic planning as more practical and beneficial than is generally recognized. In Poundbury, a demonstration project for Prince Charles in southwest England, there are extremely irregular streets, which form convivial urban spaces and "induce spontaneously civilized behavior from car drivers -- without the help of ubiquitous traffic gadgetry," he points out.

Krier repeatedly returns to what he sees as the need for tradition -- in architecture, materials, town-building, and other realms. "Today," he says, "one truth is evident: without traditional landscapes, cities, and values our environment would be a nightmare on a global scale."

Modernists often complain about resistance from authorities or from a stodgy populace. "Modernity that augments daily comforts finds broad acceptance," Krier shoots back, citing the popularity of modern vehicles and machines. He rejects the idea that most people lack aesthetic appreciation. On the contrary, according to Krier, "humanity's aesthetic sense is as natural and universal a gift as the capacities of speech, motion, and reproduction."

He doesn't deny that many traditional-style buildings from recent decades have "the aura of the fake, the ersatz, the surrogate." He blames this failing at least partly on synthetic construction materials, and asserts that the situation is destined to improve, because those substances -- including plate glass, glues, nails, and steel-reinforced concretes -- depend on fossil fuels, which will in time become too expensive, leading us back to using "authentic" materials. If he's right, we're in for a wrenching transition.
Much as I admire Krier, I have never understood how a world rapidly heading toward a population of 7 billion can do without high-rises or fit a massive contemporary workforce into neighborhood-scale buildings. Nor do I see most Americans being eager to live in the tight little villages that Europe historically produced. To me, Krier's book is not entirely persuasive. But he gets many things right, and if our energy-profligate economy implodes, Krier's vision will look extraordinarily prescient.

Philip Langdon is the Senior Editor at New Urban News Publications

18 of 18 people found the following review helpful.
The Timeless Way of Rebuilding
By J. M. Tomlin
If your faith is in Modern architecture, then you will find much to disagree with in this book. But if your faith is in traditional vernacular and Classical architecture, you will find a breath of fresh air in this open plea for sanity!

In between a thoughtful Foreword by Robert A. M. Stern, and a blistering Last Word by James Howard Kunstler, Krier makes some very bold statements and unpopular judgments against Modernism. Yet he does so with the grandfatherly wisdom of a well-seasoned and well-traveled Architect and Planner. He makes a compelling case for the ultimate sustainability of Classical and vernacular design, in its timeless beauty and elegant purposefulness, which comes as much from a rigorous disciplined understanding of its principles as it does from a deep heartfelt concern for the wellness and wholeness of humanity. For those who intend to endure and prosper beyond the end of peak oil and the bankruptcy of Modernism, Krier's book will provide practical instruction in the time-tested yet elegantly simple solutions to rebuilding our environment and restoring our souls to the sublime qualities of harmony with nature and community with each other that the ancients enjoyed.

7 of 7 people found the following review helpful.
Loud and clear!
By Pierre Gauthier
Léon Krier's stimulating and entertaining book, though maybe a tad repetitive, is very highly recommended and doubtlessly destined to become a classic.

In a series of short texts, the author adamantly communicates his neo-traditional point of view on urban development, explaining for instance the essential difference between modernity and modernism or how the Washington Mall should be urbanized and densified.

The book is vibrantly enlivened with his own plans and intricate drawings as well as abundant, witty and sometimes provocative cartoon-like sketches.

Not only is this great mind of urban planning a distinguished academic but he also designed various projects coherent with his principles, including the town of Poundbury on the Prince of Wales' estates.

Congruent with this perhaps, he is very confident in the clout of planners and does not seem very concerned with economic realities, even when they would tend to confirm his own positions. In that sense, the reader may find an apt complement in Christopher Leinberger's down-to-earth work: «The Option of Urbanism».

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Senin, 06 Februari 2012

[V462.Ebook] Get Free Ebook Theoretical Concepts in Physics: An Alternative View of Theoretical Reasoning in Physics, by Malcolm S. Longair

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Theoretical Concepts in Physics: An Alternative View of Theoretical Reasoning in Physics, by Malcolm S. Longair

This second edition of a popular text demonstrates how physics can be appreciated through a series of case studies spanning a complete university physics course. Highlights include three new chapters on Newton's laws (one on ancient astronomy up to the time of Galileo, one on Galileo, and one on Newton); a new chapter on dimensional methods, chaos and self-organized criticality; and a new chapter on the technology of cosmology. Although all the arguments are presented precisely in physical and mathematical terminology, the book is written in a relatively non-technical manner, intended to convey a deep understanding and appreciation of the incredible achievements of theorists in creating the structure of modern physics. First Edition Hb (1984): 0-521-25550-3 First Edition Pb (1984): 0-521-27553-9

  • Sales Rank: #1571291 in Books
  • Brand: Cambridge University Press
  • Published on: 2003-12-22
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x 1.30" w x 6.85" l, 2.90 pounds
  • Binding: Paperback
  • 588 pages
Features
  • Used Book in Good Condition

Review
'... gives great insight into the equations of modern physics, and I enjoyed it very much. I would hope that parts could be used to enliven the standard course fodder.' The Times Higher Education Supplement

'Longair's book is, as he says, for 'students who love physics and theoretical physics', not for amateurs. However, it gives great insight into the equations of modern physics, and I enjoyed it very much. I would hope that parts could be used to enliven the standard course folder.' The Times Higher Education Supplement

About the Author
Longair-University of Cambridge, UK

Malcolm Longair is Emeritus Jacksonian Professor of Natural Philosophy and Director of Development at the Cavendish Laboratory, University of Cambridge. He has held many highly distinguished positions within physics and astronomy and has served on and chaired many international committees, boards and panels, working with both NASA and the European Space Agency. He has received much recognition for his work, including the Pilkington Prize of the University of Cambridge for Excellence in Teaching and a CBE in the millennium honours list for his services to astronomy and cosmology. His previous well-received books for Cambridge University Press include Theoretical Concepts in Physics (2003), The Cosmic Century: A History of Astrophysics and Cosmology (2005) and High Energy Astrophysics (2011).

Malcolm Longair is Emeritus Jacksonian Professor of Natural Philosophy and Director of Development at the Cavendish Laboratory, University of Cambridge. He has held many highly distinguished positions within physics and astronomy and has served on and chaired many international committees, boards and panels, working with both NASA and the European Space Agency. He has received much recognition for his work, including the Pilkington Prize of the University of Cambridge for Excellence in Teaching and a CBE in the millennium honours list for his services to astronomy and cosmology. His previous well-received books for Cambridge University Press include Theoretical Concepts in Physics (2003), The Cosmic Century: A History of Astrophysics and Cosmology (2005) and High Energy Astrophysics (2011).

Most helpful customer reviews

3 of 3 people found the following review helpful.
well written about the essential parts in undergraduate physics
By Jung Oh
I received this book for exam copy from cambridge University Press.
It is well arranged accordingto the intelligently designed purpose
as well as historical flow in physics. Each chapter selected in great
discernment and deep thought from scratch. I think this book provide
most essential part of undergraduate physics in detailed concept and
historical development perspective in sharp insight using reasonable
degree of mathematical skill. I was really impressed and highly recommend!

15 of 17 people found the following review helpful.
Great book from a historical standpoint
By Raghuram Krishnaswamy
Although it does not teach you methods in Theoretical Physics(such as Morse and Feshbach or Theoretical Physics by George Joos), it does tell you how the great physicists got to bring about the great physical "Theorems". But to be fair, he tells you enough about each great theory there is out there by taking it up as a case study based on some fundamental(amthematical and physical) knowledge. I think it's a brilliant book from both a historical perspective as well as from a informative standpoint. I've had it for years and love the book

3 of 4 people found the following review helpful.
One of a kind and amazing
By Ebasco Engineer
Historical introduction to the world of advanced physics. Use for a British honors seminar. I keep a copy on my bed stand. It's the best read for opening to random passages on the development of Maxwell's equations, thermodynamics, special relativity, etc. I gave one to my nephew. The blue one is the US edition, the red is full of authentic colour!

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Selasa, 24 Januari 2012

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, by Jean Chevalier - A Dictionary of Symbols (1994-11-16) [Hardcover], by Jean Chevalier

  • Sales Rank: #6789386 in Books
  • Published on: 1994-11-16
  • Binding: Hardcover

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Senin, 16 Januari 2012

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Chameleon On A Kaleidoscope, by Anonymous

Welcome to the age of Anti-Social Media. Exchanging alcoholism for sex-addiction the controversial writer of underground cult classic DIARY OF AN OXYGEN THIEF retools his advertising skills to seduce women online. It's a pursuit that quickly becomes an obsession often requiring even more creativity than his award-winning ad campaigns, but don't worry there are plenty of breaks. For commercials. Dazzling, daunting and darkly hilarious CHAMELEON ON A KALEIDOSCOPE is a spectacular indictment of modern media and our increasing reliance on it.

  • Sales Rank: #15178 in Books
  • Published on: 2012-09-17
  • Released on: 2012-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.86" h x .42" w x 6.10" l,
  • Binding: Paperback
  • 172 pages

Review
A cinematic dream-capsule; somebody is going snap this up and make a movie out of it. --Barry Alexander Brown, Oscar-nominated Filmmaker, Writer and Editor

F. Scott Fitzgerald for the iPod generation. --Richard Nash, Soft Skull Publishing, New York

Love; American-style. Chameleon On A Kaleidoscope by Anonymous, is the author's second book and continues where Diary Of An Oxygen Thief left off in terms of its honesty and originality. But instead of alcoholism, the drug of choice here is sex addiction, online variety. Chameleon is relatively short and a quick read, but that doesn t take away from its intensity. In fact, its sarcastic undertone spikes the text with a bite so ferocious it s almost impossible to put down. Above all, the book is a seething commentary on our increasing dependence on modern media, one that, in this book, skips over the line of addiction and into a bizarre world that showcases the brilliance within the text. --Partrick Trotti, JMWW Literary Journal

F. Scott Fitzgerald for the iPod generation. --Richard Nash, Soft Skull Publishing, New York

Love; American-style. Chameleon On A Kaleidoscope by Anonymous, is the author's second book and continues where Diary Of An Oxygen Thief left off in terms of its honesty and originality. But instead of alcoholism, the drug of choice here is sex addiction, online variety. Chameleon is relatively short and a quick read, but that doesn t take away from its intensity. In fact, its sarcastic undertone spikes the text with a bite so ferocious it s almost impossible to put down. Above all, the book is a seething commentary on our increasing dependence on modern media, one that, in this book, skips over the line of addiction and into a bizarre world that showcases the brilliance within the text. --Partrick Trotti, JMWW Literary Journal

Most helpful customer reviews

3 of 3 people found the following review helpful.
Absolutely Adored Both Books!!
By Kayla Krantz
First of all, I love the snarkiness of this author's voice. He doesn't give a s***, and it shows in the way he views the world. After the Diary of an Oxygen Thief, the author of this story has kept up with his AA meetings while working for advertising and trying to make his move as an author. His new obstacle? Online dating. It's easy for him to scope out potential partners no matter where he goes, and he finds himself in a slew of hilarious dates and scenarios. When he finally stumbles across Marian, he finds himself in a predicament he never thought he'd stumble across before; he fears he's in love.

6 of 7 people found the following review helpful.
The author should write more
By Jada
I enjoyed both books he has written. The brutal honesty is so unique

2 of 2 people found the following review helpful.
I go from wondering if Anonymous is a Sociopath or just a regular guy who isn't afraid of telling it like it is
By Andrea J Fisher
What's incredible about Chameleon On A Kaleidoscope and Diary Of An Oxygen Thief before it is, they seem to very much be one man's truth - something that seems too rare and is very powerful in fiction - Anonymous is dangerous, no doubt about it. The subject of Internet Dating and the snapshots of the Author's interaction with the women he meets online are sexy, dark and absolutely hilarious. I go from wondering if Anonymous is a Sociopath or just a regular guy who isn't afraid of telling it like it is. Mind you, I realise this is 'fiction' but c'mon there's something about the writing that you can just tell this s*** really did go down. I can't recommend Chameleon enough and I feel with every new book in this series the Author is getting a little more game to just put it all out there. Bravo I say, the world needs more of this. Finally, I will say, I've challenged myself to read 52 books this year, Chameleon On A Kaleidoscope was the 35th and by far the best I've read this year. I can only assume the 3rd instalment in the series: Eunuchs And Nymphomaniacs (coming in October '16) will be the only book to top it. Crawl through a barbed-wire fence to get your hands on this book.

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Rabu, 04 Januari 2012

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The short fiction of Colum McCann documents a dizzying cast of characters in exile, loss, love, and displacement. There is the worn boxing champion who steals clothes from a New Orleans laundromat, the rumored survivor of Hiroshima who emigrates to the tranquil coast of Western Ireland, the Irishwoman who journeys through America in search of silence and solitude. But what is found in these stories, and discovered by these characters, is the astonishing poetry and peace found in the mundane: a memory, a scent on the wind, the grace in the curve of a street. Fishing the Sloe-Black River is a work of pure augury, of the channeling and re-spoken lives of people exposed to the beauty of the everyday.

  • Sales Rank: #513877 in Books
  • Brand: McCann, Colum
  • Published on: 2004-02-01
  • Released on: 2004-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .48" w x 5.50" l, .59 pounds
  • Binding: Paperback
  • 208 pages
Features
  • ISBN13: 9780312423384
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
In Songdogs, his first novel, Colum McCann, who divides his time between Ireland and America, explores the tensions created by movement between such different worlds. The thematic thread in this collection of short stories is much the same--the longing to escape from, and the pull toward, a fixed and central point. Sometimes the theme is explored through travel: a survivor of Hiroshima emigrates to western Ireland, but always feels the blast of that defining moment; a young Irishwoman moves frenetically through America in search of tranquillity. Sometimes the motion is within the mind, as it is for the paralyzed cyclist who discards his bike after realizing that "the only thing it could be ridden with was a perfect cadence of the imagination."

From Publishers Weekly
Following his U.S. debut in the highly praised Songdogs, McCann's first collection of short stories is now published here, three years after its initial U.K. appearance. These are 12 exceptionally crafted and thought-provoking tales, in which we glimpse not only the immediate world of the characters but also a good deal of their origins and ancestry. This makes for rich, multilayered work, as in the opening story, "Sisters," which spans about 30 years in the life of a bitter woman who says, "My promiscuity was my autograph," while her anorexic sister became a nun. The moving "A Word in Edgewise" captures a lifetime with poignant detail and delicate timing. Some stories recall Raymond Carver in their directness, told in local vernacular and exposing a passing, vital revelation or epiphany?as in "Through The Field," in which a teenage murderer reveals his sole fear. Others are allegorical and surreal, like the melancholy title piece, which takes a new turn on the age-old scourge of emigration. Or "Cathal's Lake," where the souls of war victims from Northern Ireland are reborn as swans on a quiet rural waterway. In "Around the Bend and Back Again," we ponder not only the tragedy of a fragile girl but also the crucial tension between employment and environmentalism in an Irish town. Set in diverse locations ranging from urban New Orleans to rural Ireland, and encompassing the lives of a startling range of cultures and characters, this superlative collection shows an impeccable command of style and language. Highly regarded in Ireland, McCann should begin to command a wide readership here. Rights: Robin Straus Agency .
Copyright 1996 Reed Business Information, Inc.

Review

“A gifted and determined stylist, Colum McCann seems to have taken a vow never to write a dull line.” ―The New York Times Book Review

“Rich, powerful stories that place McCann at the front ranks of contemporary Irish writers.” ―San Francisco Chronicle

“Beautiful...These well-made stories, written with fierce beauty, are sure of their effect and power.” ―The Washington Post Book World

“There is magic in this McCann, and he brings to each page a special sorcery with the voices he conjures....No one can read through and not emerge feeling changed, somehow ennobled by it.” ―The Baltimore Sun

Most helpful customer reviews

11 of 13 people found the following review helpful.
Exceptional, lovingly crafted, accurate
By A Customer
In each of the stories, believable characters tell their stories in a manner which is a joy to read (and re-read).
McCann really knows how to get the reader's emotions running high through the lovingly crafted words and painstakingly described thoughts of his characters.

10 of 12 people found the following review helpful.
A wonderful eclectic collection
By A Customer
This is one of the most magnificent collections of short stories I have ever read. Disarmingly provocative and true. The final story Cathal's Lake is truly a classic in contemporary literature about Northern Ireland. A reading experience I will never forget.

2 of 2 people found the following review helpful.
Touching and beautiful stories
By maria do rosario casas coelho
This is his first short story collection. It is about loss, loneliness, and immigration as a whole. The Irish diaspora is portrayed from the perspective of the ones who left Ireland and the ones who stayed. The author uses personal stories to deepen the topic what makes it absolutely fantastic!Everything in This Country Must: A Novella and Two Stories

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